It should be stated right now – a short film isn’t a condensed feature film and writers (and directors) who are reluctant to accept this invariably fail. The key to writing a short film is to keep it simple. It’s just not possible to squeeze a feature film idea or a particularly complex idea into a short format and do it justice. It’s a bit like trying to squeeze a novel into a short story – they’re different animals.
Focus on One Core Idea It is duly noted that there are numerous successful short films that are experimental or metaphorical or anti-structure. These films don’t follow a conventional narrative or structure. And that is absolutely cool. But whether you are exploring a heady concept or telling a conventional story – your screenplay needs to consist of one core idea and everything needs to serve that idea – every action, image and line of dialogue. There’s no time to develop an elaborate plot, a raft of characters or lengthy set ups. Multi-layered stories aren’t going to work and neither are stories, which rely heavily on the main character’s back-story.
Even to a screenplay competition. Those are writer's drafts. And they should all be FIRST DRAFTs, no matter how many versions the writer has actually written. You really think so? That's my recommendation. BLUE CAMARO - DAY. April drives along Austin's Congress Avenue as Joe rides shotgun. Download Malayalam Typing Software for Windows for Free ISM Malayalam Download Hassle Free Installation and Typing.
You simply will not have time to explore back-story. It’s also best to avoid subplots, numerous characters, multi-protagonists, expensive set pieces, and stories set in two or more different time periods.
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Scope Your Story Once you have a basic story idea, there are some questions to be asked and a number of decisions to be made: • What is the core idea? What is my story about? (Premise) • Who is it about? (Protagonist) • What is the genre and style of my screenplay? • Who or what is giving the Protagonist grief? (Antagonist) • What is the question of my story? • Whose POV is the story told from?
• What happens in my story? (Plot) • How does it happen? (Structure) • What is my screenplay about thematically? • How can I convey my plot, action and theme in images? Know Your Protagonist Ask yourself is – who is the story happening to, i.e.
Who is my Protagonist? The Protagonist in any story is the central character, the character that the story is about and whose life is being made difficult or who simply wants something to change.
They might not even necessarily be human, but they are the character the audience will be following. Know Your Antagonist So once you know your protagonist and have an idea about genre – ask yourself what does my protagonist want; and who or what is stopping him/her? Or more simply – who or what is my Antagonist? An antagonist can take many forms, anything from another character or monster to a force of nature or a council with a new bylaw. It or they is whatever is making the Protagonist’s life difficult. Define Your Genre Ask yourself – what type of film will this be made into? And what will the audience expect from a film in this genre?
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This is not about crushing experimentation or creativity but more as a reminder to self as you proceed, that your original goal was to write a short screenplay that scared / moved / amused / shocked the audience. When you get stuck, you can go back to this intention to remind yourself of your original goal.